Showing posts with label Clem Millward. Show all posts
Showing posts with label Clem Millward. Show all posts

Thursday, 13 February 2020

BMC members and friends mentioned in Sydney New Theatre's Wiki.

Click on pictures for full-screen image

The Sydney New Theatre wiki is a fascinating site. 
It includes information about our founders and other early members and the productions of Reedy River they were involved with.
Thanks to Lyn Colllingwod from New Theatre for permission to use these extracts. 

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TOM & SILVIA SALISBURY

http://newtheatrehistory.org.au/wiki/index.php/Person_-_Tom_Salisbury
Of interest to ASIO, Tom joined NT in October 1947 after which he was involved in 72 plays ... In 1955 Tom married NT member Silvia Meech. He and Silvia sang at NT fundraising functions and were regular marchers on May Day. In 1980 Tom helped with building repairs at King Street, and in 1987 he and Silvia were made Life Members ...  Tom Salisbury was the subject of several ASIO reports, one agent noting that he was a non smoker and non drinker and that "flattery has no effect on this person". He first came to the attention of Security in 1948 when he signed a NT petition protesting against the public screening of Iron Curtain.

Silvia & Tom (seated, right) performing at a Singabout night 27/09/1970 (Bob Bolton photo)

http://newtheatrehistory.org.au/wiki/index.php/Person_-_Silvia_Meech (later Salisbury) Silvia joined NT in 1951 as a pig-tailed schoolgirl. She acted in An Inspector General 1952, and the next year was in the chorus of the first Reedy River, before taking on the lead role of Mary opposite Milton Moore as Joe Collins. She went on to sing at NT functions and folk concerts, performed with Contact street theatre and at Lawson festivals, and at peace and Save Our Sons rallies. Her later passion was the Trade Union Choir, its choirmaster Tom Bridges, son of Doreen Jacobs

Cast list in Tom & Silvia's 1953 Reedy River program. (BMC Archives, courtesy of Silvia & Tom)

Tom & Silvia are members of the Sydney Trade Union Choir and were part of our Themed Presentation on BMC's First Ten Years at the 2012 National Folk Festival

Rehearsal for First Ten Years, Silvia second from left, Tom second from right

(Photo © Sandra Nixon) 
Memories of Reedy River & the Bush Music club by Silvia Salisbury (2012)

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JOAN CLARKE
http://newtheatrehistory.org.au/wiki/index.php/Person_-_Joan_Clarke ...With John Meredith, Clarke wrote The Wild Colonial Boy about bushranger John Donahoe. Billed as another Reedy River, it was staged by Brisbane NT in 1956 but survived only six performances ...
photo - Left to right: Les Hope, June Worth, Pat Barnett, Sylvia Meech, Edgar Penzig, Eddie Allison and Nan Gow in Home Brew, 1954
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JOHN DENGATE
http://newtheatrehistory.org.au/wiki/index.php/Person_-_John_Dengate
John Dengate wrote a song re the My Lai massacre for On Stage Vietnam 1967, and in Exposure 70 sang “F111” and his own “HMAS Melbourne” to the tune of “Wild Rover No More”. In 1993 he participated in a NT fundraising concert, in 2002 performed in a concert version of Reedy River for a National Folk Festival, and in 2007 played Swaggie in Reedy River in NT’s season of Censored plays (occasionally banned because of its association with Sydney's "Red" theatre). 

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PETER FRANCIS (Not a member)
http://newtheatrehistory.org.au/wiki/index.php/Person_-_Peter_Francis  ... All this changed with the unexpected success of Reedy River. Peter performed in it 70 times (sometimes removing his false teeth). On a trip to Newcastle the cast annoyed other train passengers with non-stop singing of the show's bush tunes.  
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CECIL GRIVAS
 http://newtheatrehistory.org.au/wiki/index.php/Person_-_Cec_Grivas ... A good singer, he performed in Reedy River in 1953 and 1954; ... One of his last appearances with The Bushwhackers was at Dame Mary Gilmore’s 90th birthday in 1955.

Bushwhackers in Reedy River costumes at Dame Mary Gilmore's 90th Birthday celebrations, August 16, 1955, 
Harry Kay & Brian Loughlin were hidden at the left. (BMC Archives)
With brothers Roland and Milton he established his own group The Galahs which played in the suburbs. Milton, a pianist, also acted with the Richmond Players in the 1950s, and produced for the Blacktown Musical Society in the 1960s.


The Galahs, Cecil is in the middle (source - Xanthe Grivas)
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JUNE MILLS (Grivas)

http://newtheatrehistory.org.au/wiki/index.php/Person_-_June_Mills (Grivas) ...Of interest to ASIO, June Mills was also known by the surnames Worth, Galloway and Grivas ...

In 1954 June Grivas penned an ode to Reedy River:

Some people they like Homer, others they like Shaw,
And others like the “classics”, I could name ‘em by the score.
Some people they like “epics” crammed full of blood and lust
While others go quite drooly over Marilyn Monroe’s bust.
But me, I like the stories of Australia land
Of the pioneers, the shearers and the gallant Eureka Band.
I’m not the only one, there’s at least 10 million more
So just give us Reedy River and the Eumerella Shore.
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DOREEN JACOBS
http://newtheatrehistory.org.au/wiki/index.php/Doreen_Jacobs

Doreen Jacobs arranged the music and Helen Palmer wrote the words of “The Ballad of 1891”; they were very strict about the accuracy of both in Reedy River productions. Doreen was musical director on the 1979 production directed by Frank Barnes ...


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HARRY KAY Jr 
http://newtheatrehistory.org.au/wiki/index.php/Person_-_Harry_Kay
... Father and son Harry Kay were NT members, junior joining in 1951 and senior in 1953. In 1953 Harry Kay senr operated lights for United Notions in which his son performed. Harry Kay jnr was in the cast of Merry-Go- Round and the 1960 revival of Reedy River directed by Roger Milliss. Both were in the bush musical's original production.

Harry with mouth organ (Reedy River, Sydney, 1953/54 - BMC Archives)

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CHRIS KEMPSTER
http://newtheatrehistory.org.au/wiki/index.php/Person_-_Chris_Kempster ...with Silvia Salisbury, was in a NT folksinging concert in 1964, ... He formed his own group the Rambleers (a founding member was Mark McManus) ...
(conversation with Alex Hood - Alex had the first idea about founding the Rambleers,
Mark was not a founder, he was invited to join a later concert when they needed a larger lineup. Alex later had an electrical contracting business & he employed Mark for a while, Mark later did a lot of acting (& radio?????


C
hris with guitar (Reedy River, Sydney, 1953/54 - BMC Archives)
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http://newtheatrehistory.org.au/wiki/index.php/Mark_McManus ...A natural tenor with a pure singing voice, he played Irish in Reedy River 1960 and was a member of Chris Kempster’s group The Rambleers.  (2 pics of RR 1960)
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DENIS KEVANS 
http://newtheatrehistory.org.au/wiki/index.php/Person_-_Denis_Kevans ...Of interest to ASIO, “poet lorikeet” Denis Kevans was in the cast of Reedy River and performed in a number of folk concerts. He wrote verse and songs, and reviewed plays for Tribune. He joined the Rambleers folk group, its members including Mark McManus and Harry Kay jnr. His last appearances at NT were in a 2004 tribute for Chris Kempster and a Loosely Woven concert in March 2005.

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BRIAN LOUGHLIN
http://newtheatrehistory.org.au/wiki/index.php/Person_-_Brian_Loughlin
BRIAN BERNARD LOUGHLIN (ca 1924 - 1974)

Like most of the original Bushwhackers, Brian was living at Heathcote when he performed in the first Reedy River in 1953 (his wife babysat while he played) and again in 1969. Brian played the lagerphone (a broom nailed with beer bottle tops) and bones, and for John Meredith helped publish Songs from the Kelly Country for the Bush Music Club, its first edition 1955.

Brian was born in Melbourne to Communist parents. He joined the CPA at age 18, and the Eureka Youth League. By 1948 he was working in Sydney as a compositor at the Daily Telegraph and became a prominent member of the Printers’ Union. On 22 October 1949 at Bankstown he married Pamela Louise Fenton who was working as a secretary in a biscuit factory. The Fenton family were strong trade unionists and Pam was a member of the CPA. (She could also play the spoons.) The couple were arrested in an early Aboriginal rights demonstration.

The Loughlins lived in Melbourne, Randwick, Heathcote and Rozelle (where their house, a distribution point for the Tribune, was infiltrated by ASIO informers). Brian Loughlin died of a heart attack at Balmain while dancing at a function supporting Communist forces in Vietnam.

Loughlin house in Heathcote, 1950s  (photo - their nephew Ron Nixon)
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JOHN MEREDITH
http://newtheatrehistory.org.au/wiki/index.php/Person_-_John_Meredith
JOHN STANLEY RAYMOND MEREDITH (1920 - 2001)
A self-taught musician, John Meredith was the founder of the Bushwhackers whose playing in 1953 ensured the success of Reedy River. While participating in the show he lived at Clovelly, his landlord Milton Moore.


He collaborated with Joan Clarke on the musical The Wild Colonial Boy about bushranger John Donahoe. ... Meredith recorded songs and music from all over Australia. He was a founding member of the Bush Music Club and edited its magazine Singabout. In 1980, researching a book about the 1915 Coo-ee march from Gilgandra, he was seeking out the 50 entries to the Coo-ee song competition.

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CLEM MILLWARD
http://newtheatrehistory.org.au/wiki/index.php/Person_-_Clem_Millward  ... designed Roger Milliss’s 1960 production of Reedy River. ...

Inside back cover Reedy River song book 1979 (BMC archives)
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NEIL MORRISON (Not a member) 
http://newtheatrehistory.org.au/wiki/index.php/Person_-_Neil_Morrison   ... He dressed in neck-to-knee bathers for the 1954 Reedy River fancy dress ball ... In 2002 and 2009 he recorded Henry Lawson and other Australian poetry set to music ... His funeral oration was delivered by ex-pupil Ian Hamilton, a NT supporter ... (Neil died a few years ago - conversation with Ian Hamilton) (Alex Hood missed the Ball as he was in Western Australia- Alex 2020) 


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EDGAR PENZIG 
http://newtheatrehistory.org.au/wiki/index.php/Person_-_Edgar_Penzig ... Penzig set up an historical museum at Wallacia and organised re-enactments of Ben Hall’s death in a park in Forbes, involving Cec Grivas and his brothers as singers ... Penzig died at Oatlands Tasmania on 19 November 2010

Newspaper clipping, Tuesday February 2, 1965 (Chris & Virginia Woodland collection)
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ROD SHAW
http://newtheatrehistory.org.au/wiki/index.php/Person_-_Rod_Shaw ... Rod Shaw married Frances Cottingham in 1939; she died in 1983. Of their three children, daughter Chrissie became an active NT member. Rod Shaw died of cancer on 7 December 1992.
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Les Tanner giving tips on make-up to the Reedy River cast, 1953
http://newtheatrehistory.org.au/wiki/index.php/File:Les_Tanner_lesson.jpg

As far as we know Len Tanner was not a member,  
http://newtheatrehistory.org.au/wiki/index.php/Person_-_Les_Tanner   A CPA member of interest to ASIO, Les Tanner in the period 1948-58 was a "legend" at NT as a set, costume and graphics designer and a talented, consistently good actor with stage charm and presence, especially in comedy. He went on to become one of Australia’s best-known Press cartoonists for over 40 years.

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Tuesday, 10 December 2019

Life Members - information on our 25 Life Members - part 1. Sally Sloane, Duke Tritton, Clem Millward, Val Hennessy, John Meredith

Click on pictures for full-screen image

Life Members - information on our 25 Life Members  - part 2 - Herb Gimbert, Alan Scott, Gay Scott, Brian Loughlin, Pam Loughlin 

Life Members - information on our 25 Life Members  - part 3. Jack Barrie, Janet Wakefield, Jamie Carlin, Bob Bolton, John Dengate  

Life Members - information on our 25 Life Members  - part 4  Dave Johnson, Frank Maher, Don Richmond, Helen Romeo, Harry Kay.

Life Members - information on our 25 Life Members  - part  5. Ralph Pride, Chris Woodland, Sandra Nixon, Wendy Richmond, Mike Young.

Life Members - Information on our 28 Life members - Part 6 - Colin Fong, Sharyn Mattern, Allen Davis



Foundation Member John Meredith, unveils new Life Members' Board before launching his new book Duke of the Outback at the Bush Music Festival Oct 1983

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Duke Tritton  (1886 - 1965)
Duke was one of the early sources of traditional songs, and was a songwriter and poet.

He joined not long after the foundation of BMC, around the same time Frank Maher joined (source Frank Maher)
Duke Tritton - Australian Dictionary of Biography
 



Alan Scott recording Duke (John Meredith photo, Singabout 2(1), 1957, BMC Archives)


Drawing by Bulletin artist
Hottie Lahm for the first edition of Time Means Tucker.

Hardtmuth (Hotpoint or Hottie) Lahm
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Sally Sloane (1894-1982) - one of the early sources

video - Jason & Chloe Roweth Saturday Streaming 2021 #3 - The Songs and Tunes of Sally Sloane 1

Who is Sally Sloane? by Valda Low, 2003
The Music of Sally Sloane  Blog by Ian Hayden with links to on-line recordings at the National Library of Australia

Saturday Streaming - Jason & Chloe Roweth present the Songs & Tunes of Sally Sloane, 1, With her extraordinary repertoire and powerful singing style Sally Sloane has left an undeniable mark on the Australian Tradition - and on ourselves! Born in Parkes, NSW in 1894, and living most of her life in Lithgow - for us she is not only a legend, but a local one. Join us for a selection of the great lady's many traditional songs and tunes in all their bountiful variety. August 2021.
  

Sally Sloan presiding over a birthday party, Lithgow 1943. The photo was supplied by the guest at bottom right, next door neighbour Judy, who does not remember much about the day. (Judy O'Connor collection, 4/9/20)

The occasion was a birthday party for someone in Sally’s family. Our memories (and our parents comments) was that she was a cranky, difficult neighbour! I remember feeling pretty unhappy at being there and my sister was obviously not asked (which was not very neighbourly.) As you can see from the photo – it was not a wildly festive affair! I think the older woman seated on the left was her mother. For some reason, I seem to remember that. I mention it because it is of more than passing interest because from what I gather, it was Sally’s mother who passed on all the Irish songs etc. that she has become famous for.
Photo of Granny Clegg, Sally's mother here cropped from the same photo, one of many photos in Valda Low's 2012 article Who is Sally Sloane?  

Sally Sloane on Wikipedia
 
Mulga Wire, no. 34, December 1982 (BMC Archives)

May 1969 Newsletter (BMC Archives)


Singabout 3(1), p.16  (BMC Archives)

Sally & Fred Sloane at 2nd Colonial Subscription Ball, 25th August, 1979, Ralph & Rose Pride were sitting next to Sally & Fred. Sally had her fiddle with her as Ralph was going to  fix it. (Source Ralph Pride) (Bob Bolton photo)

81-year old Sally at 1975 Bush Music Festival, Turner Hall, Ultimo  (Bob Bolton photo - BMC Archives)

Sally The Sloane Songbook, by Gay Scott, BMC 2004.

Photograph & Introduction by John Meredith


Mulga Wire, 161 - Feb 2004

Mulga Wire, 161 - Feb 2004

.

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Clem Millward
(
1929 -) is a well known artist. He was one of the Sydney left-wing artists who were involved with the Bush Music Club in our early days. He illustrated Songs from Lawson and received Life Membership for this work.


Illustration from Songs of Lawson  (BMC Archives)

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Val Hennessy - information supplied by Jamie Carlin
Val and Derm (Dermot) Hennessy were members of the South Granville branch of the Communist Party of Australia. They were friends and neighbours of Jamie's father who was not a party member.
Derm was a printer at The Telegraph where Brian Loughlin was Father of the Chapel (union).
Val was a barmaid at Granville, maybe at the
Royal Hotel. She had access to a duplicating machine and printed up songsheets and was made a life member for those services.

According to her Membership card, Val was Assistant Secretary at some date/s between those covered       vol 2(1) April 1957, Vol 3(3) Winter 1959.


Membership cards, 1950s to 60s (BMC Archives)
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John Meredith
Mulga Wire, no.90, April 1992, p.4

John Stanley Raymond Meredith (17 January 1920 – 18 February 2001) was an Australian pioneer folklorist from Holbrook, NSW whose work influenced the Australian folk music revival of the 1950s. He was awarded the Medal of the Order of Australia  in 1986 for service to Australian folklore and music, and became a Member of the Order of Australia in 1992 for service to the Arts, particularly in the collection and preservation of Australian folklore.
The Meredith Collection is housed at the National Library of Australia and contains nearly 8,000 catalogued items including photos and material collected from over 700 performers. Wikipedia 

Instigator of Australia's first Bush Band, the Heathcote Bushwhackers (1952-1953) later The Bushwhackers (1953-1957) and a foundation member of the Bush Music Club. A few comments on John Meredith by Chris Woodland, 2012


Pam Loughlin & Merro on left, with friends
searching for aboriginal rock carvings, Kuringai Chase, 1950s. Photo taken by Pam's nephew Ron Nixon & published with permission.

 
 (1964 - BMC Archives, unknown source)

John Meredith's bookplate  (Chris Woodland Collection)


The republican possum which lived in Merro's ceiling (Chris Woodland Collection)

Poem by John Meredith, c.1981  (Chris Woodland collection)
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Wednesday, 6 April 2016

Paper presented by Sandra Nixon at National Folklore Conference - The Early Days of the Bush Music Club as illustrated by Singabout - the Journal of Australian Folksong, 1956 to 1967.


Click on pictures for full-screen image

Summary

The Early Days of the Bush Music Club as illustrated by Singabout - the Journal of Australian Folksong, 1956 to 1967.

from the Editorial in Singabout 1(1) - aims of the Bush Music Club - to popularise Australian folk song and to encourage the composition of a new kind of song - one that is traditional in style but contemporary in theme.

Scanning these issues revealed a lot of fascinating information about the birth of bush music: print-runs of 1000 copies for the first & second issues, subscribers & contributors from many states & overseas (Pete Seeger!), a member in Antarctica in 1958, contributions from Sydney's famous left wing artists, formation of interstate Bush Music Clubs, first publication of many old & new songs still sung today, even a couple of Dengate songs unpublished elsewhere.  (Ballad of the Schooner Eclipse, Lawson Centenary Song & Malaysia Song)

Sandra Nixon with contributions from early BMC members Frank Maher (joined 1955 or 56), Ann Maher (1960), Dale Dengate (1960), Chris Woodland (c1960)

Retired librarian, Secretary of the Bush Music Club, fascinated by history, folklore & ephemera. 
..............................................................................................…

The first meeting of the Bush Music Club was held on Thurs 24th October 1954. The founders were the members of The Bushwhackers


Australia's first bush band & stars of the musical play, Reedy River which was about the after-effects of the 1891 shearers strike. The popularity of the show led to many requests to join the group, so starting a club was a logical way of spreading their songs & tunes & creating new bands.

12 month later the club issued it's first newsletter which mentioned the forthcoming magazine, Singabout

 
Newsletter 1(1), p.1 Oct 55

The Bushwhackers were Communists, as were many of the early members & friends of BMC. Check out Keith McKenry's biography of John Meredith, founder of the Bushwhackers to find more information about the communist influence on the early days.

from Dale -
Just a reminder that the people who joined the Communist Party of Australia did so as post-war anti-fascists supporting a Marxist philosophy of intellectual global unity & equality.


from the Editorial in Singabout 1(1) January 1956 -


Aims of the Bush Music Club - to popularise Australian folk song and to encourage the composition of a new kind of song - one that is traditional in style but contemporary in theme.

Volume 1, 1956, Summer, Autumn, Winter & Spring
  
Volume 2, April, September & December 1957, May 1958

 
Volume 3, Summer, Autumn, Winter/Spring 1958 + n.d.
Volume 4, 1960, 1961, 1961, 1962

Volume 5, 1963, October 1964, July 1965, December 1965.
Volume 6, 1966 + 1967 (final issue)

As the members believed in collective action they didn't always include names of office bearers so it can be a tough job finding office bearers. We started an Office Bearers spreadsheet in 2014 & by scanning every issue of Singabout, & starting to scan the newsletters (1955 onwards) I've recently managed to fill a few gaps from the early days, including a complete committee elected in April 1962 - the first where women outnumbered men!

Newsletter, April 1962, p.1
Pam Loughlin, Marietta Stratton, Alan Scott, Barbara Strain (later Gibbons), Gay Scott, Jan Jones, Jamie Carlin, Ann Banks (later Maher), Frank Maher


comment from Dale -
... yes we weren't so efficiently organised in the 1960-70s and there was a reluctance to put ones name to any thing as it went against the ideal of collectivism ... It was seen as the individual showing off ...

Brian Loughin first President, 1956
Singabout 1(3), p.12-13

The Editorial in 1(2) said they would print 1000 copies again. Today we publish 250 copies of Mulga Wire which includes a Singabout insert & the current one features TROVE.

Singabout 1(2),  p.2


The back cover of Singabout 1(1) listed publications that were released by the Bushwhackers before they formed BMC plus those that were published in the 15 months before Singabout was released in January 1956.
Singabout 1(1) p20

By then BMC had a number of groups - Sydney People's Choir, the South Coast group led by Lola Troy, later known as Lola Wright, who created the second bush band in Australia, Melbourne's Billabong Band, which started 3 years before Melbourne Bush Music Club was formed, & is still going strong, & the Newcastle group which wanted 5 dozen more Singabouts.


Singabout 1(1) p18

Naturally there were controversies, Singabout was a left wing publication, not the place for protest songs!

Singabout1(3)-p14 If we examine the contents of issue no.2 we find there is a strong left-wing political slant ... I am not against the left wing having it's say. The point is, is "Singabout' the appropriate place? My feelings are that the trade union journals are the place for the songs mentioned above.

from Dale - & who would know them or sing them if they were in individual Trade Union journals?

The other big controversy was harmony vs. unison which led to the breakup of the
Bushwhackers in 1957.
Singabout 1(2), p.18

The harmony singers left to form the Rambleers, BMC sang in unison & were still doing so in 1960 when Dale joined.

Concert Party formed after the Bushwhackers disbanded & will be 60 next year.
Singabout 3(1), p.20

It was BMC's performance group & membership was by invitation only. John Dengate had to wait till the guitarist was unable to continue before he got the gig!

In 1958 a BMC member, Eric Burnett went to Antarctica
Singabout, 2(4) p.2 

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The artists


The artists who did most of the illustrations in Singabout were Gil Small, Clem Millward, Ron Shaw & John Dengate

blog - Extracts from Singabout - The artists, 1956-1967
http://bushmusicclub.blogspot.com.au/2016/03/extracts-from-singabout-artists-1956.html

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Gil Small was credited as the first illustrator of Singabout 1(1), and the only information I have about him came from Jamie Carlin. He apparently was not a full time artist, unlike most of the others.

Keith McKenry had more info about the creation of Singabout 1(1) on p.158 ... illustrations by Des Tanner, the Daily Telegraph's cartoonist, & pages laid out by Brian Loughlin using the Telegraph's typesetting facilities
There were only 2 illustrations in the first tissue & both were Bushwhackers broadsides, not free standing drawings. Who did the cover drawings? More information is needed

.
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Rod Shaw & Clem Millward were famous artists, & are represented in many collections.  Clem is still painting and as far as we know, the only surviving artist from the early days.

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Examples of each artist represented in Singabout - named & unknown

Gil Small  Singabout 2(1) p.15

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Clem Millward - illustrations from Songs from Lawson
 
Ad for Lawson book,
Singabout 2(2) p.5  & 2 pages from the book

 


Texas Jack

Clem's was awarded BMC's 3rd Life Membership for these illustrations.

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Gil Small

Singabout 2(4), p.10

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Benier - a famous cartoonist

Singabout 3(2), p.4

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unknown artist
 
Singabout, 3(4), p.11

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Unk White, famous illustrator 


Singabout 4(1), cover


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unknown artist

SIngabout 4(1), p. 5


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Rod Shaw



Singabout, 4(4) p.13 
 
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Rod or Clem

SIngabout 5(3)-1965 p.3

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Rod Shaw & Clem Millward illustrated these 2 issues

Singabout
5(3), 1965  - signed RMS 


Singabout 5(4) p.13 not signed
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RMS, (Rod Shaw)

Singabout 3(4) p.16 


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John Dengate
Singabout 6(1) p.14

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Blog article - Extracts from Singabout - The artists, 1956-1967

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Interstate contributors

A worker poet somewhere in Australia could stick a stamp on his (her?) latest poem & send it to a worker-musician in Melbourne, who would write a tune for it. The same worker-musician, John Arcott won BMC's first Find-a-tune competition

Singabout 1(1) p17

______________________


Worker poets


Wharfies - Sydneysider Dick the Singing Wharfie



 









































Singabout1(2) p.6


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seamen - Merv LilleySingabout 1(1) p7

Blog - Merv Lilley

http://bushmusicclub.blogspot.com.au/2016/02/extracts-from-singabout-early.html

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Joe Daly from Hungerford, station worker
Singabout 4(3)-p.7 - (Joe continued writing songs, later with Slim Dusty)

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Families

11 year old Stephen Spain composed the music for father Ron's Station House Boy - he hopes to be a musician or boilermaker, or perhaps both.
Singabout, 1(2) p.14

Daughter Beren also composed a tune for one of her father's songs

.
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Jennifer Mann 16 yrs - wrote tunes for poems written by David Martin, Merv Lilley, Mary Gilmore & her father Jim Mann.


Singabout 1(3)


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David Martin AM http://www.austlit.edu.au/austlit/page/A28275 was probably the most famous of the early poets/songwriters.

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Interstate Bush Music Clubs

Queensland Federation of Bush Music groups

Singabout 3(1) p9

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Melbourne's Billabong Band, 1956 Singabout 1(1) p18
Singabout 3(1) p.9

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A few examples of songs & sources

Sources

  

Singabout, 2(4) p14 

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Duke Tritton  
Singabout 5(3) p.14

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New songs

parodies

Singabout 1(1) p10


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Darling Harbour, Merv Lilley

 

Singabout 1(1) p15

Blog article on Merv Lilley & Dorothy Hewett
thttp://bushmusicclub.blogspot.com.au/2016/02/extracts-from-singabout-early.html


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Ameralia


Singabout 1(3), p.18
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Sleeper cutting in Baradine Bar

Singabout 2(2) p15

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Collected songs

Hoopiron Jack Lee, John Meredith's first source of songs, 1952
Singabout  2(2) p6

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Sally Sloane - an amazing repository of songs & tunes.

Singabout 1(4) p3


Bob Bolton photo taken at  Turner Hall Concert, 1975

This was one of a series of photos that were taken at a Turner Hall Concert in 1975 & filed with Opera House photos (corrected March 2018)
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Early members who have helped with information

Jamie Carlin who joined soon after the first meeting wrote an article in 1964 about the Club's first 10 years & his article is reproduced on our blog.

Singabout
5(2)-p.13 Concert Party 1964


blog - The First Few Years by Jamie Carlin.


Ann & Frank Maher
Frank worked with Alan Scott & joined BMC in 1956, around the same time as Duke Tritton. Frank was asked to join Concert Party in 1960. Ann came to Australia in the same year & was a member of Concert Party by 1964 & they were featured on the BMC LPs in the 60s. They returned to Concert Party in 2012 when we started celebrating our 60th anniversary. Frank plays bones & bush bass, Ann is still playing the Maher family lagerphone shown in the 1964 photo & they are with us this weekend.

The Maher collection of photos & ephemera gave us a lot of information about the early days. Frank & a very young Jean Lewis (aka The Kid as she was 18 to his 26!) were members of the Pete Seeger welcome committee


Chris Kempster, Frank Maher, Jan Jones meeting Pete Seeger at Sydney airport, August,1963.

None of the members in the photo were uni students. The collection includes a number of items relating to Pete Seeger's visit in 1963. Pete donated microfilms of Sing Out & another magazine which BMC later gave to Sydney University's Fisher Library & they are still in the collection.
Singabout 5(2), p.3




Folkies met in pubs & when the pub closed would head for BMC as it kept later hours & had a great supper. The photo shows Frank telling Declan Affley that he & Colleen Burke could come in for free as they were performers, but their mates would have to pay the entry fee of 60C. As the folkies enjoyed the supper & songs, then left all their bottle behind, they were not allowed back! 


Blog - Frank's reminiscences of the early days
http://bushmusicclub.blogspot.com.au/2012/06/early-bush-music-clubdays-by-frank.html

Blog - The Ann & Frank Maher collection
http://bushmusicclub.blogspot.com.au/2015/01/the-ann-frank-maher-collection.html


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Chris Woodland has been a member since the early 60s & even though he left Sydney in 1967 has remained involved in the club. He has contributed many photos & ephemera to our archives.

Singabout 
6(2) p.10


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Dale Dengate joined in 1960 & soon brought along her colleague & future husband John. She identified John's drawings, offered to sing one of the songs not published elsewhere, & gave a lot of help in creating this talk.


Blog -
Memories of early days at the Bush Music Club by R. Dale Dengate http://bushmusicclub.blogspot.com.au/2012/06/talks-from-bmcs-2012-national-folk_04.html


Singabout 6(1) back cover


Singabout 
2(3)-back cover


Dale singing the Malaysia Song



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