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Although John Dengate had been drawing, reciting and writing verse since he was a small lad, he started writing in a traditional style after his future wife, R. Dale Morgan took him to the Bush Music Club in 1961. Here John was influenced by John Meredith and Alan Scott, both Australian folklorists and collectors. John became an enthusiastic researcher of Australian folklore as a basis to his writing, storytelling and performances. But he was also a writer and sketcher of political satire and parodies. For over sixty years, John wrote about life in Australia and was well known for his performance at folk venues and sketches he freely gave people at festivals. (Dale Dengate)
Thanks to Dale for identifying John's sketches in the final 2 issues of Singabout. In 6(1) he produced everything except Wild Driver, and all the illustrations in 6(2).
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Vol 6, Number 1, 1966 |
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Vol 6, Number 1, 1966, Sandy Hollow Line, page 4 |
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Vol 6, Number 1, 1966, Fine Girl You Are, page 8 |
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Vol 6, Number 1, 1966, Johnson - Jinxen, page 12 |
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Vol 6, Number 1, 1966, The Answer's Ireland, page 14 |
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Vol 6, Number 1, 1966, The Battle of Castle Hill, page 15 |
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Vol 6, Number 1, 1966, page 19 |
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Vol 6, Number 2, 1967 |
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Vol 6, Number 2, 1967, Contents, page 2 |
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Vol 6, Number 2, 1967, page 13 |
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Vol 6, Number 2, 1967, My Beautiful Muff, page 15 |
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Vol 6, Number 2, 1967, Reciter's Corner, Stooking Hay by Duke Tritton, page 16 |
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Vol 6, Number 2, 1967, Reciter's Corner, Stooking Hay by Duke Tritton, page 17 |
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Vol 6, Number 2, 1967, The Truth of The Story, page 18 |
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Vol 6, Number 2, 1967 |
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Vol 6, Number 2, 1967, Another Fall of Rain, (lyrics p.8) page 20 |
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