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Reprinted from Verandah Music with Graham Seal's permission
Following
on our recent dance posts, here’s one to stir the possum a little.
We begin with a relevant reminiscence from Rob Willis, with links to
a video
of John Meredith and Ollie Willis lightfooting some Eureka Youth
League dances.
There is also a link to Rob’s
edited version of the late Peter
Ellis’s detailed discussion of this issue. (NB
Some issues with these historical file formats).
Rob writes:
I was born and raised in Forbes, Central West NSW, and in my youth
during the 1960s went to dances in the many country halls that were
scattered around the surrounding countryside. We learnt, mainly from
the older women, how to waltz and also have fun with such dances as
the Barn Dance, Pride of Erin, Jolly Miller and a raft of others.
I was therefore mystified in the late 1970s when becoming involved
in the 'folk scene', going to so-called ‘bush dances’ (a term
that was never used in the Central West) and being taught dances that
I had never heard of in the bush. As time progressed and I started to
travel on field recording trips with John Meredith (a good dancer in
his own right) I met and formed a very strong friendship with dance
historian, the late Peter Ellis. It became clear that ‘bush dance’
was a dance genre that had evolved over recent decades.
In conversations on the track with John and also with the people
we were recording then for the National Library, some born in the
1890s, it became clear that the dances of the bush were in reality
the Quadrilles, Polkas, Varsoviennas, Mazurkas as well as the later
ones I had learnt in the Forbes district.
Over the many hours that Meredith and I had on the track talking
about the past he explained how the genre was formed and Peter's
article puts it all together as well as John's explanation in a video
I shot of him and my wife, Ollie, demonstrating a couple of these
dances.
I can remember being with Meredith and Alan Scott at a Bush Dance
at a festival in Newcastle when Merro leaned over to Alan and said
"Geez mate, just to think that we were responsible for this".
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The Bush Music Club was founded in 1954 to collect, publish and popularise Australia’s traditional songs, dances, music, yarns, recitations and folklore and to encourage the composition of a new kind of song - one that was traditional in style but contemporary in theme.
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