Showing posts with label Frank Maher. Show all posts
Showing posts with label Frank Maher. Show all posts

Saturday, 20 December 2025

OBIT - Death of Frank Maher, one of our earliest members

Click images for larger size.



~~~~~~~~~~~~~~~~~~~~~~~~

Frank was an early member of the Bush Music Club, Australia's first & oldest folk club, est Nov 1954, joining within the first year. He was a singer, and musician (bones, lagerphone & bush bass) and a LIfe Member of BMC. He served on the committee from 1959-1974, and was one of the people who were instrumental in forming the Folk Federation of NSW in 1970. In 2010 the Folk Federation awarded LIfe Membership to Frank and the other members of that first committee.

~~~~~~~~~~~~~~~~~~~~~~~~

Frank Maher was one of the early members of the Bush music club concert party. In 1955, he was working at the Postmaster General with Alan Scott who invited him to come along to the BMC. Over the years, his clear singing voice and memory for words made him a valued member of the concert party. He also had a fine sense of rhythm and played the bush bass, lagerphone and the bones better than most. Frank had a gentle sense of humour when recounting yarns about events, members or characters in the BMC.

He was a devoted husband to Ann, whom he met at the BMC, and later to his daughters and grandchildren.

One anecdote that I remember from the 1970s, when the concert party was invited to play for a bush dance Commemorating the arrival of Captain Cook, with the landing at Kurnell. John had driven Frank to Kurnell, where it had rained all night. When they came out of the hall to go home, the car wouldn’t start because some water had got into the petrol. They pushed the car to a garage, where they had to wait till it opened, before being able to change the petrol & start it; then continue on the journey home. Well, by this time it was early in the following morning. In the meantime, Ann had rung the local police. When Ann explained she was worried about her husband who had not yet returned from playing at the bush dance in Kurnell. The police officer said to her don’t worry it won’t happen for another hundred years! I can still hear Frank chuckle as he retold the story.

Many  wonderful and some sad memories too, come to mind of Frank Maher.

Recalled by Dale DENGATE.

~~~~~~~~~~~~~~~~~~~~~~~~

At the Bush Music Club Beer and Cheese Nights in a hall at Burwood about 1972 I met an amazing array of talent with a profound passion for our Australian songs. Figured among them was a quiet chap by the name of Frank Maher. He sang confidently and with no put on voice, you could say a clean honest sound. And his bush bass rhythm was spot on as was his lagerphone. When he played the bones it was best to not be too close as they were very load. It was legend that when doing a recording in a studio, Frank was sent to an adjoining toilet to get the sound level right for his bones.

The songs tunes and dances had me hooked, and I was soon on the committee as a rookie, organising, with Ralph Pride and Bob Bolton, some new initiatives, tune Broadsides and workshop nights. As I completed my apprenticeship with the Bush Music Club I was invited to join the Reedy River Bushmen. At that time it was made up of Jamie Carlin (concertina), Barry Collerson (banjo, guitar and MC), Mary Williams (guitar), Frank Maher (bush bass, lagerphone and bones) and Ralph Pride (fiddle). All shared the vocals and most songs in the repertoire could be led by any of the band.

We played for many functions over the the next five years - bush dances, Australia Day concerts, and such. All of us were Musician’s Union members and payments for jobs (never called gigs!) was divided according to egalitarian principles. A regular Sunday show at Australiana Village had four of the six band members each week, with Barry and Jamie being regular and the rest of us taking it in turns. So on occasions I was there with Frank and less commonly we might have had our Ann(e)s in tow. There was time to chat over lunch while Edgar Penzig’s troupe did a bushranger enactment with guns loudly firing blanks and the villains inevitably caught/ shot/ punished.

The singing from the verandah of one of the buildings was without amplification so we had to project our voices to the crowd of as many as sixty. Frank’s voice rang out clearly when it was his turn.

Our lives were not close as we had children at very different stages of their lives, but I recall being taught the vasovienna by Sally Sloane at Frank and Ann's in North Sydney after a BMC concert at Sydney Tech. There was some merriment as this rather bossy old lady pushed me around the room, but I did get the dance well and truly learnt.

In more recent times at folk festivals and Bush Traditions Gatherings it was always a pleasure to challenge Frank to give us Goorianawa or Drover’s Dream. Songs that I knew that he sang particularly well. There was always his deferential refusal which gave way to encouragement and resultant applause for his renditions.

Thanks Frank, your quiet confidence and clear enjoyment of the old bush songs was truly inspiring.

Memories from Dave Johnson

~~~~~~~~~~~~~~~~~~~~~~~~

Photo © Bob Bolton, 2009

Photo © Sandra Nixon, National Folk Festival, 2012 
.

2 photos from the Chris & Virginia Woodland collection, 
NFF 2017 - Ann & Frank with Jenny Loughlin (daughter
of Founders Pam & Brian Loughlin),
Chris Woodland & Sandra Nixon 

~~~~~~~~~~~~~~~~~~~~~~~


A selection of photos from the Maher albums, chosen by
daughters Helen Golak & Monica Maher 






































~~~~~~~~~~~~~~~~~~~~

photos 1 - 5 © Sandra Nixon 

1. Graveside - Helen under umbrella, Frank's sister Jennifer with Ann 

2. Father Pawel 

3. Monica with friend

4. Helen with friends 

5. Anne with old BMC friends from the 60s, Barbara & George Gibbons


~~~~~~~~~~~~~~~~~~~~~~~~


.

.

.

.


~~


Friday, 12 December 2025

Compilation - Articles about Frank Maher

Click images for larger size

Frank's earliest known appearance in the press with BMC - he & other
members were welcoming Pete Seeger to Australia in1963.
None of the people pictured were university students, though
members of  the Sydney University Folk Music Society
might have been present.


1.  From the Archives - Mulga Wire, no.1, June 1977
https://blog.bushmusic.org.au/2020/04/from-archives-mulga-wire-no1-june-1977.html


2.  Early Bush Music Club Days by Frank Maher (60th Anniversary speech) 
http://bushmusicclub.blogspot.com.au/2012/06/early-busmusic-clubdays-by-frank.html


4.  Chris and Virginia Woodland Collection - Wake for John Meredith, AM (1920 - 2001) - 24th March 2001
http://bushmusicclub.blogspot.com.au/2015/07/wake-for-john-meredith-am-1920-2001.html

5.  Report on Concert Party @ Kangaroo Valley Folk Festival 2015
http://bushmusicclub.blogspot.com.au/2015/10/report-on-bmc-kangaroo-valley-folk.html


6.  The Ann & Frank Maher collection
http://bushmusicclub.blogspot.com.au/2015/01/the-ann-frank-maher-collection.html


7.  Paper presented by Sandra Nixon at National Folklore Conference - The Early Days of the Bush Music Club as illustrated by Singabout - the Journal of Australian Folksong, 1956 to 1967.

http://bushmusicclub.blogspot.com.au/2016/04/paper-presented-by-sandra-nixon-at.html


8.  Bones - Part 1. How to make (1958) & play (2017) the bones. updated 2019
http://bushmusicclub.blogspot.com.au/2017/05/how-to-make-1958-play-2017-bones.html

9.  Visit by Steve Wixon of the Rhythm Bones Society (USA)
https://bushmusicclub.blogspot.com.au/2017/12/visit-by-steve-wixon-of-rhythm-bones.html


10.  From the Archives - Singabout Nights in the 50s, 60s & 70s
https://bushmusicclub.blogspot.com/2019/09/from-archives-singabout-nights-in-50s.html


11.  From the Archives - Release of Railway Songs, National Folk Festival, 2010
https://blog.bushmusic.org.au/2020/04/from-archives-release-of-railway-songs.html


12.  Life Members - information on our 25 Life Members - part 4 Dave Johnson, Frank Maher, Don Richmond, Helen Romeo, Harry Kay.
https://blog.bushmusic.org.au/2020/04/life-members-information-on-our-2
5-life_49.html

13.  John Dengate & Frank Maher awarded Life Membership of Folk Federation of NSW, on the Federation's 40th Anniversary, 2010
https://blog.bushmusic.org.au/2021/02/john-dengate-frank-maher-awarded-life.html


14. NLA Oral Histories - Bushwhackers & other early members 
https://blog.bushmusic.org.au/2019/11/nla-oral-histories-bushwhackers.html


15.  From the Archives - Very early members who joined between 1954 and 1959
https://blog.bushmusic.org.au/2020/08/from-archives-very-early-members-who.html

16.  OBIT - Death of Frank Maher, one of our earliest members 
https://blog.bushmusic.org.au/2025/12/obit-death-of-frank-maher-one-of-our_20.html

17. The Ballad of the Heathcote Bushwhackers 
https://blog.bushmusic.org.au/2014/12/the-ballad-of-heathcote-bushwhackers.html

18.  Bob Bolton Collection - Reedy River Bushmen @ Australian Pioneer Village, c.1982
https://blog.bushmusic.org.au/2018/01/bob-bolton-collection-reedy-river.html

19.  From the Archives - Bush Bands
https://blog.bushmusic.org.au/2020/04/from-archives-bush-bands.html

20. Reedy River Bushmen Reunion,   2023
https://blog.bushmusic.org.au/2025/12/reedy-river-bushmen-reunion-2023.html

.

.

.

.


~~~


Saturday, 27 February 2021

John Dengate & Frank Maher awarded Life Membership of Folk Federation of NSW, on the Federation's 40th Anniversary, 2010

At the Federation's 40th Annual General Meeting in August 2010, members voted to award Life Membership to Colleen Burke, John Dengate, Warren Fahey & Frank Maher, members of the original Committee who were not already Life Members.

Frank Maher, Colleen Burke, Warren Fahey &
President Anthony Woolcott  (Sandra Nixon photo)

Certificates were presented to Colleen, Warren & Frank at the Federation's 40th Anniversary Concert at the 2011 National Folk Festival, and to John at The Loaded Dog Folk Club in June 2011 after the Federation's Annual General Meeting. 

President Anthony Woolcott & John Dengate, (Bob Bolton photo) 

John Dengate, Colleen Burke, Frank Maher,
Warren Fahey (Sandra Nixon photo)

The four Life Members were eventually photographed together at the launch of Dennis O'Keeffe's book 'Waltzing Matilda' in June 2012 

JOHN DENGATE the master of satire, parody, music, humour (often twisted), champion of the underdog and rejecter of all things pretentious was born in Sydney in 1938 and became interested in folk and rebel music while serving as a school-teacher in the Western Division of NSW at Menindee in 1958. Here he was fortunate to meet Brian Mooney who was a great inspiration to the young teacher and who remains a good mate.

In 1962 John joined the Sydney Bush Music Club where he met and was influenced by such legendary names as Duke Tritton, Alan and Gay Scott, John Meredith and others. He became a member of the club’s Concert Party and joined them entertaining at functions and for other groups. In the welcoming and warm embrace of the BMC John soon became known for his amusing political parodies and singer of traditional ballads. The Vietnam War and its supporters gave John a treasure trove of material from which he never shrank. Prince Charles’ visit to Geelong Grammar in 1966 stirred his mind and pen to write Charley’s Coming to Timbertop. Later, the infamous Premier of Queensland, Joh Bjelke-Petersen, was the subject of some well-crafted songs cleverly expressing his despotic behaviour. On Bjelke-Petersen’s retirement from politics John was to state that it was a very sorry day for him to see such material come to an end; he’d lost his best source ever.

Ever the wordsmith, John still continues to pen clever poems and songs, though attending and performing at fewer functions these days. A clever song of John’s was his parody of the Slim Dusty classic When the Rain Tumbles Down in July. Penned when the Pope visited Australia in July 2008, he, naturally, called it When the Pope Comes to Town in July. That song and the thoughtful poem showing his respect for the great poet John O’Brien, For ‘John O’Brien’ [Father Hartigan] are but two of many he has produced in the last couple of years. To this day he is still commenting on the political scene with vitriolic astuteness, with begging targets like Howard and Abbott. John’s Pixie Rudd’s Song and Maxine the Magnificent are also more recent efforts, showing that his pen and mind are still surgically sharp.

The title of John Dengate’s double CD album, Australian Son, describes him well. As does a more recent poem of his titled Australian Made.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

FRANK MAHER is a quiet organiser, the backbone of an organisation, the kind of person who doesn’t want to push or be in the chair, but gets things done as he is meticulous and thorough. He’s always there if needed. When his wife Ann was President of the Bush Music Club they worked as a team and encouraged BMC to join the wider folk community when the Folk Federation was being formed.

BMC events were family oriented, alcohol free and centred on Australian tradition and modern Australian folk song, whereas Folk Clubs met in pubs and were oriented more towards music from the British Isles and Ireland. The aims of the BMC and the folk venues differed, but Frank was influential in getting the two groups to work together, especially when organising the first big folk festivals. Frank was the BMC representative on the initial Folk Federation of NSW committee.

Frank was (and still is) a good singer, he also plays the bones and bush bass. He was a member of BMC’s concert party in the 60’s, and invited John Dengate to join. Along with Jamie Carlin, Frank was best man at John and Dale’s wedding. He and Ann met at BMC and brought their three delightful daughters to BMC Singabout bush dances for many years. He was also a very good long distance runner in the 60s.

~~~~~~~~~~~~~~~~~~~~~

In December 2020 the Folk Federation celebrated 50 years. Photos - Helen Golack, Ann & Frank's daughter)

Life Members Warren Fahey, Danny Watson,
and Frank Maher with Sandra Nixon & Ann Maher

Frank talking about the early days. 








Wednesday, 25 November 2020

Life Members - information on our 25 Life Members - part 4 Dave Johnson, Frank Maher, Don Richmond, Helen Romeo, Harry Kay.

Click on pictures for full-screen image

Life Members - information on our 25 Life Members  - part 1. Sally Sloane, Duke Tritton, Clem Millward, Val Hennessy, John Meredith

Life Members - information on our 25 Life Members  - part 2 - Herb Gimbert, Alan Scott, Gay Scott, Brian Loughlin, Pam Loughlin 

Life Members - information on our 25 Life Members  - part 3. Jack Barrie, Janet Wakefield, Jamie Carlin, Bob Bolton, John Dengate  

Life Members - information on our 25 Life Members  - part  5. Ralph Pride, Chris Woodland, Sandra Nixon, Wendy Richmond, Mike Young.

Life Members - Information on our 28 Life members - Part 6 - Colin Fong, Sharyn Mattern, Allen Davis


Foundation Member John Meredith, unveils new Life Members' Board before launching his new book Duke of the Outback at the Bush Music Festival Oct 1983
~~~~~~~~~~~~~~~~~~~~
David Johnson

Dave directing Heritage Ensemble 030531, (Bob Bolton photo, 2003)





















Created life member 23rd March 1984 (source - membership card box)
David Johnson moved to Sydney in 1970 to study science at Sydney University. In 1971 he found and practically wore out Alex Hood's LP The First Hundred Years and discovered Australian literature by attending Manning Clarke's lectures on Henry Lawson and others.
A bit of sleuthing led him to the Bush Music Club's Beer and Cheese Night at Burwood in 1972, and then he was a regular, enjoying each session and then impatiently waiting for the next monthly instalment.
The BMC at the time was under the leadership of Jamie Carlin and Barry Collerson, and these two plus Eric Bolton, Bob Bolton, Tony McLachlan, Frank Maher, John Dengate, and others provided a remarkable immersion in Australian bush and contemporary songs.
His persistence was recognised and he was elected onto the committee and later vice-president and then president. By then Ralph Pride had returned from Tasmania and with him and Bob Bolton and David and a large team of committee and sub-committee members, the BMC became more active with music and dance workshops, monthly dances, annual balls, an annual festival, a booking agency, and publications.
David was instrumental in rewriting the BMC Constitution and was president for just three years, believing that the club would be better served by a turnover of leadership that would bring new ideas and energy.
In 1984 Bush Dance was published and soon followed by the companion Dance Instructions.

Dave was awarded life membership at the 1984 AGM in recognition of his service to the Club.

~~~~~~~~~~~~~~~~~~~~~~~~~~~
Frank Maher - friend and workmate of Alan Scott, he came to BMC soon after Jamie did, around the same time Duke Tritton joined.

Extract from talk @ NFF 2012 ... The first event I went to was a Saturday Singabout Night held at the Y.W.C.A. on the corner of Wentworth Avenue and Liverpool Street. I worked with Alan Scott at the P.M.G. and he invited me to come along. This was in 1955 and as a result I started going every Tuesday to the Workshop Nights which in those days were held at Milsons Point. We rented a room from the Fellowship of Australian Writers. I usually sat in a corner and sang. I was eventually approached by Gay and Alan to join the club as I’d been coming for about a year. I joined in 1956, at about the same time as Duke Tritton ...

Created life member 23rd March 1984 (source - Membership card box) Concert Party at Orange at Lake Canobolas Regatta, Banjo Paterson Festival - Jamie Carlin, Jan Jones, Frank Maher, Gay Scott, Alan Scott, Jack Barrie. (BMC Archives)

Ann Maher, Jenny Loughlin (daughter of Life Members & founders Brian & Pam Loughlin), Chris Woodland, Sandra Nixon, Frank Maher, NFF 2017 (Chris Woodland collection)
~~~~~~~~~~~~~~~~~~~~~~~~~~~

Don Richmond - Musician, dancer, caller, committee member, dance co-ordinator
Mulga Wire, no 90, April 1992, p.3

Wendy & Don receiving their Life Member badges at 60th Anniversary Concert, 2014 (Sandra Nixon photo)
~~~~~~~~~~~~~~~~~~~~~~~~~~~
Helen Romeo - created Life Member 1997 - moved Pete McMahon, seconded Dave Johnson




















Joined the BMC in 1979. Attended and supported all BMC functions from 1979 to 1985 including regular Friday Night sessions, Beer and Cheese nights, Folkus nights, picnics and weekends away.

Southern Cross, 1986 Bush Music Festival (© Bob Bolton) 

Particularly involved in organising the following - Subscription & Heritage Balls, Bush Music Festivals, Bush Music Club Booking Agency, Monday night Dance Class & Dance Group, Bush Music Club regular dances at Glebe, Beecroft, Parramatta & Blacktown. Produced many brochures and posters for many BMC activities. Attended Dancing at the Rocks for many months in the early to mid 80s and other Club functions to promote the BMC. Joined Concert Party for a while in 1980, then formed a band in 1981. In the 90s Helen & Tony Romeo lead percussion workshops & started regular poetry sessions at Tritton Hall and hosted two or three BMC poetry dinners in City restaurants.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Harry Kay - was the 5th member of the Bushwhackers, a cast member of the 1953/54 production of Reedy River & a foundation member of the Bush Music Club.

Mulga Wire no. 62, June 1987 - Harry & Ann Kay re-joined BMC

New Theatre wiki Harry joined the Eureka Youth League and the Heathcote Bushwhackers. After the breakup of the Bushwhackers, he joined Chris Kempster and Alex Hood as the Rambleers. 

Wikipedia - The Bushwhackers (band) ...Years later, Meredith gave the following account of their formation: In June 1953 [sic: probably an error of recollection on Meredith's part; the year is given as 1952 in most other sources] a literary and musical evening held at Jack Barry's [sic] house at Heathcote was to have an "Australian Night" - something unique in those days when our own culture appeared in danger of being engulfed in the flood of second-rate canned American music. Jack, Brian Loughlin and I got together with button accordeon and two of our recent discoveries: a tea chest bass and a lagerphone. We stuck on false whiskers, dressed rough and gave out with our entire repertoire; Click Go The Shears, Botany Bay and Nine Miles From Gundagai. In spite of my whiskers falling off, or maybe because of them, we were an immediate success - as a comedy act! Chris Kempster joined us after that performance and then Harry Kay ...

The Bushwhackers by Alan Scott ... Harry Kay played the mouth organ, which he liked to call the harmonica...

Harry & Ann cut the cake for our 40th Ruby Anniversary, 1994
left - Peter Kay (beard) & Alan Scott,  right Jamie Carlin  (Bob Bolton photo)

Harry cut the cake for our 50th Golden anniversary, 2004
with President Don Richmond, Ann Kay seated. (Sandra Nixon photo) 

Mulga Wire no. 78, April 1990 pp. 14-15



Harry with his son Peter, Australian Folk at Kiama,
1997 
(Bob Bolton photo).

.
~~

Wednesday, 1 April 2020

From the Archives - Release of Railway Songs, National Folk Festival, 2010

Click images for larger size.

Photos © Sandra Nixon

1. Pete Cahill, Chris Poleson


2. Ralph Pride on bush bass


3.


4. Brian Dunnett


5. Ralph Pride, Kathie McMahom (green top)


6. Sam O'Brien, Doug Richardson, Chris Poleson


7.


8.


9. Dot Dawson (pink scarf), Ann Maher (purple)


10. Allen Davis


11.


12.


13.


14. Margaret, Walters, Ross Campbell (UK)


15.


16. Ann & Frank Maher


17. Ann & Frank Maher, Bob Murray


18. Frank Maher, Bob murray


19. Ralph Pride


20.


21. Ralph Pride


22.


23. Ralph Pride


24. Bob Bolton


25. Chris Poleson, Allan Davis, Bob Foggin, Bob Bolton, Brian Dunnett


26. Margaret Bradford


27. Bob Bolton, Lexie Pride, Brian Dunnett


28. Margaret Walters


29. Eric Bolton, Margaret Walters, Sam O'Brien


30.


31. Sam O'Brien, Doug Richardson


32.


33. Frank Maher


34. Frank Maher


35.


36.