Wednesday, 6 April 2016

Paper presented by Sandra Nixon at National Folklore Conference - The Early Days of the Bush Music Club as illustrated by Singabout - the Journal of Australian Folksong, 1956 to 1967.


Click on pictures for full-screen image

Summary

The Early Days of the Bush Music Club as illustrated by Singabout - the Journal of Australian Folksong, 1956 to 1967.

from the Editorial in Singabout 1(1) - aims of the Bush Music Club - to popularise Australian folk song and to encourage the composition of a new kind of song - one that is traditional in style but contemporary in theme.

Scanning these issues revealed a lot of fascinating information about the birth of bush music: print-runs of 1000 copies for the first & second issues, subscribers & contributors from many states & overseas (Pete Seeger!), a member in Antarctica in 1958, contributions from Sydney's famous left wing artists, formation of interstate Bush Music Clubs, first publication of many old & new songs still sung today, even a couple of Dengate songs unpublished elsewhere.  (Ballad of the Schooner Eclipse, Lawson Centenary Song & Malaysia Song)

Sandra Nixon with contributions from early BMC members Frank Maher (joined 1955 or 56), Ann Maher (1960), Dale Dengate (1960), Chris Woodland (c1960)

Retired librarian, Secretary of the Bush Music Club, fascinated by history, folklore & ephemera. 
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The first meeting of the Bush Music Club was held on Thurs 24th October 1954. The founders were the members of The Bushwhackers


Australia's first bush band & stars of the musical play, Reedy River which was about the after-effects of the 1891 shearers strike. The popularity of the show led to many requests to join the group, so starting a club was a logical way of spreading their songs & tunes & creating new bands.

12 month later the club issued it's first newsletter which mentioned the forthcoming magazine, Singabout

 
Newsletter 1(1), p.1 Oct 55

The Bushwhackers were Communists, as were many of the early members & friends of BMC. Check out Keith McKenry's biography of John Meredith, founder of the Bushwhackers to find more information about the communist influence on the early days.

from Dale -
Just a reminder that the people who joined the Communist Party of Australia did so as post-war anti-fascists supporting a Marxist philosophy of intellectual global unity & equality.


from the Editorial in Singabout 1(1) January 1956 -


Aims of the Bush Music Club - to popularise Australian folk song and to encourage the composition of a new kind of song - one that is traditional in style but contemporary in theme.

Volume 1, 1956, Summer, Autumn, Winter & Spring
  
Volume 2, April, September & December 1957, May 1958

 
Volume 3, Summer, Autumn, Winter/Spring 1958 + n.d.
Volume 4, 1960, 1961, 1961, 1962

Volume 5, 1963, October 1964, July 1965, December 1965.
Volume 6, 1966 + 1967 (final issue)

As the members believed in collective action they didn't always include names of office bearers so it can be a tough job finding office bearers. We started an Office Bearers spreadsheet in 2014 & by scanning every issue of Singabout, & starting to scan the newsletters (1955 onwards) I've recently managed to fill a few gaps from the early days, including a complete committee elected in April 1962 - the first where women outnumbered men!

Newsletter, April 1962, p.1
Pam Loughlin, Marietta Stratton, Alan Scott, Barbara Strain (later Gibbons), Gay Scott, Jan Jones, Jamie Carlin, Ann Banks (later Maher), Frank Maher


comment from Dale -
... yes we weren't so efficiently organised in the 1960-70s and there was a reluctance to put ones name to any thing as it went against the ideal of collectivism ... It was seen as the individual showing off ...

Brian Loughin first President, 1956
Singabout 1(3), p.12-13

The Editorial in 1(2) said they would print 1000 copies again. Today we publish 250 copies of Mulga Wire which includes a Singabout insert & the current one features TROVE.

Singabout 1(2),  p.2


The back cover of Singabout 1(1) listed publications that were released by the Bushwhackers before they formed BMC plus those that were published in the 15 months before Singabout was released in January 1956.
Singabout 1(1) p20

By then BMC had a number of groups - Sydney People's Choir, the South Coast group led by Lola Troy, later known as Lola Wright, who created the second bush band in Australia, Melbourne's Billabong Band, which started 3 years before Melbourne Bush Music Club was formed, & is still going strong, & the Newcastle group which wanted 5 dozen more Singabouts.


Singabout 1(1) p18

Naturally there were controversies, Singabout was a left wing publication, not the place for protest songs!

Singabout1(3)-p14 If we examine the contents of issue no.2 we find there is a strong left-wing political slant ... I am not against the left wing having it's say. The point is, is "Singabout' the appropriate place? My feelings are that the trade union journals are the place for the songs mentioned above.

from Dale - & who would know them or sing them if they were in individual Trade Union journals?

The other big controversy was harmony vs. unison which led to the breakup of the
Bushwhackers in 1957.
Singabout 1(2), p.18

The harmony singers left to form the Rambleers, BMC sang in unison & were still doing so in 1960 when Dale joined.

Concert Party formed after the Bushwhackers disbanded & will be 60 next year.
Singabout 3(1), p.20

It was BMC's performance group & membership was by invitation only. John Dengate had to wait till the guitarist was unable to continue before he got the gig!

In 1958 a BMC member, Eric Burnett went to Antarctica
Singabout, 2(4) p.2 

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The artists


The artists who did most of the illustrations in Singabout were Gil Small, Clem Millward, Ron Shaw & John Dengate

blog - Extracts from Singabout - The artists, 1956-1967
http://bushmusicclub.blogspot.com.au/2016/03/extracts-from-singabout-artists-1956.html

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Gil Small was credited as the first illustrator of Singabout 1(1), and the only information I have about him came from Jamie Carlin. He apparently was not a full time artist, unlike most of the others.

Keith McKenry had more info about the creation of Singabout 1(1) on p.158 ... illustrations by Des Tanner, the Daily Telegraph's cartoonist, & pages laid out by Brian Loughlin using the Telegraph's typesetting facilities
There were only 2 illustrations in the first tissue & both were Bushwhackers broadsides, not free standing drawings. Who did the cover drawings? More information is needed

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Rod Shaw & Clem Millward were famous artists, & are represented in many collections.  Clem is still painting and as far as we know, the only surviving artist from the early days.

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Examples of each artist represented in Singabout - named & unknown

Gil Small  Singabout 2(1) p.15

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Clem Millward - illustrations from Songs from Lawson
 
Ad for Lawson book,
Singabout 2(2) p.5  & 2 pages from the book

 


Texas Jack

Clem's was awarded BMC's 3rd Life Membership for these illustrations.

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Gil Small

Singabout 2(4), p.10

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Benier - a famous cartoonist

Singabout 3(2), p.4

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unknown artist
 
Singabout, 3(4), p.11

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Unk White, famous illustrator 


Singabout 4(1), cover


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unknown artist

SIngabout 4(1), p. 5


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Rod Shaw



Singabout, 4(4) p.13 
 
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Rod or Clem

SIngabout 5(3)-1965 p.3

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Rod Shaw & Clem Millward illustrated these 2 issues

Singabout
5(3), 1965  - signed RMS 


Singabout 5(4) p.13 not signed
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RMS, (Rod Shaw)

Singabout 3(4) p.16 


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John Dengate
Singabout 6(1) p.14

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Blog article - Extracts from Singabout - The artists, 1956-1967

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Interstate contributors

A worker poet somewhere in Australia could stick a stamp on his (her?) latest poem & send it to a worker-musician in Melbourne, who would write a tune for it. The same worker-musician, John Arcott won BMC's first Find-a-tune competition

Singabout 1(1) p17

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Worker poets


Wharfies - Sydneysider Dick the Singing Wharfie



 









































Singabout1(2) p.6


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seamen - Merv LilleySingabout 1(1) p7

Blog - Merv Lilley

http://bushmusicclub.blogspot.com.au/2016/02/extracts-from-singabout-early.html

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Joe Daly from Hungerford, station worker
Singabout 4(3)-p.7 - (Joe continued writing songs, later with Slim Dusty)

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Families

11 year old Stephen Spain composed the music for father Ron's Station House Boy - he hopes to be a musician or boilermaker, or perhaps both.
Singabout, 1(2) p.14

Daughter Beren also composed a tune for one of her father's songs

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Jennifer Mann 16 yrs - wrote tunes for poems written by David Martin, Merv Lilley, Mary Gilmore & her father Jim Mann.


Singabout 1(3)


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David Martin AM http://www.austlit.edu.au/austlit/page/A28275 was probably the most famous of the early poets/songwriters.

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Interstate Bush Music Clubs

Queensland Federation of Bush Music groups

Singabout 3(1) p9

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Melbourne's Billabong Band, 1956 Singabout 1(1) p18
Singabout 3(1) p.9

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A few examples of songs & sources

Sources

  

Singabout, 2(4) p14 

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Duke Tritton  
Singabout 5(3) p.14

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New songs

parodies

Singabout 1(1) p10


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Darling Harbour, Merv Lilley

 

Singabout 1(1) p15

Blog article on Merv Lilley & Dorothy Hewett
thttp://bushmusicclub.blogspot.com.au/2016/02/extracts-from-singabout-early.html


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Ameralia


Singabout 1(3), p.18
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Sleeper cutting in Baradine Bar

Singabout 2(2) p15

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Collected songs

Hoopiron Jack Lee, John Meredith's first source of songs, 1952
Singabout  2(2) p6

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Sally Sloane - an amazing repository of songs & tunes.

Singabout 1(4) p3


Bob Bolton photo taken at  Turner Hall Concert, 1975

This was one of a series of photos that were taken at a Turner Hall Concert in 1975 & filed with Opera House photos (corrected March 2018)
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Early members who have helped with information

Jamie Carlin who joined soon after the first meeting wrote an article in 1964 about the Club's first 10 years & his article is reproduced on our blog.

Singabout
5(2)-p.13 Concert Party 1964


blog - The First Few Years by Jamie Carlin.


Ann & Frank Maher
Frank worked with Alan Scott & joined BMC in 1956, around the same time as Duke Tritton. Frank was asked to join Concert Party in 1960. Ann came to Australia in the same year & was a member of Concert Party by 1964 & they were featured on the BMC LPs in the 60s. They returned to Concert Party in 2012 when we started celebrating our 60th anniversary. Frank plays bones & bush bass, Ann is still playing the Maher family lagerphone shown in the 1964 photo & they are with us this weekend.

The Maher collection of photos & ephemera gave us a lot of information about the early days. Frank & a very young Jean Lewis (aka The Kid as she was 18 to his 26!) were members of the Pete Seeger welcome committee


Chris Kempster, Frank Maher, Jan Jones meeting Pete Seeger at Sydney airport, August,1963.

None of the members in the photo were uni students. The collection includes a number of items relating to Pete Seeger's visit in 1963. Pete donated microfilms of Sing Out & another magazine which BMC later gave to Sydney University's Fisher Library & they are still in the collection.
Singabout 5(2), p.3




Folkies met in pubs & when the pub closed would head for BMC as it kept later hours & had a great supper. The photo shows Frank telling Declan Affley that he & Colleen Burke could come in for free as they were performers, but their mates would have to pay the entry fee of 60C. As the folkies enjoyed the supper & songs, then left all their bottle behind, they were not allowed back! 


Blog - Frank's reminiscences of the early days
http://bushmusicclub.blogspot.com.au/2012/06/early-bush-music-clubdays-by-frank.html

Blog - The Ann & Frank Maher collection
http://bushmusicclub.blogspot.com.au/2015/01/the-ann-frank-maher-collection.html


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Chris Woodland has been a member since the early 60s & even though he left Sydney in 1967 has remained involved in the club. He has contributed many photos & ephemera to our archives.

Singabout 
6(2) p.10


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Dale Dengate joined in 1960 & soon brought along her colleague & future husband John. She identified John's drawings, offered to sing one of the songs not published elsewhere, & gave a lot of help in creating this talk.


Blog -
Memories of early days at the Bush Music Club by R. Dale Dengate http://bushmusicclub.blogspot.com.au/2012/06/talks-from-bmcs-2012-national-folk_04.html


Singabout 6(1) back cover


Singabout 
2(3)-back cover


Dale singing the Malaysia Song



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Sunday, 3 April 2016

Bush Music Club presents Music At Morisset, Friday 27th to Sunday 29th May, 2016



The Bush Music Club is to hold a weekend of Australian Bush Music in songs and tunes between Friday 27 and Sunday 29 May 2016 in the Morisset Showground, Ourimbah St Morisset, 5-10 minutes from centre of town.

If you like to sing, play an instrument and/or recite, this is the place for you!



The event is designed to encourage people of all ages to participate in a fun weekend of bush tunes, songs (old and new) plus Australian folklore generally.


There will be lots of opportunities for young people to get involved with the weekend's activities. As well as being encouraged to take part in the general music and song sessions, there will also be special scheduled workshops specifically for the younger musicians - all part of the Bush Music Club's Saplings initiative which encourages young musicians to make use of the rich resource of Australian music and song collected from the old bush players.



As the Morisset Showground has several buildings, there is room to have performances of songs separate from tune players, poets and Saplings events. The idea is that people can move from one area to another to enjoy and, if so desired, perform in the various forms of entertainment. There will be a blackboard session for those willing to reveal their talents to the audience and these performances are always enjoyable.

Food will be available on site and there are local shops close by in town. It will be BYO drinks.

Cost:
Weekend $25 per person
Day Pass $15 per person
All children under 16 are free with a paying adult.

Camping:
Powered site $20 per night
Unpowered site $15 per night

Accommodation in Morisset & surrounds

Enquiries:Peter Cahill - 9576 7330 or 0421 256 030

on-line bookings - tickets are also available at the gate


(photos - Sandra Nixon)


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2016 Heritage Ball - Regency to Ragtime, Saturday 21st May, 6.30 for 7pm.

Click on pictures for full-screen image



Another grand occasion for your enjoyment with music by our renowned Heritage Ensemble. Dress in your favourite fashion from Regency through to Ragtime. A light supper and refreshments are provided during the evening.

Ball tickets will again be limited.

Tickets:

$50 for BMC members (before May 7)
$60 for non-members (before May 7)
$40 for students (before May 7)
All tickets purchased after May 7 will be $70 each

A discount of $3 per person can be obtained for a set of 4 couples (8 tickets) booked and paid for at the same time and before May 7th.

No tickets will be available after May 16th.


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Parking is available at Horwood Place carpark behind the Town Hall.
............................. Dances will be taught at workshops in May:

Pennant Hills Community Centre
Mondays - 2nd, 9th and 16th May 7:30pm - 9:30pm, $7

Hut 44, Addison Rd Community Centre, Marrickville
Wednesdays - 4th, 11th and 18th May 7:30pm - 9:30pm, $7
............................ Post-Ball Picnic

Sunday 22nd May at Australiana Pioneer Village, Wilberforce
Wear colonial dress, further details will be available at the Ball
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Enquiries to Wendy Richmond 0412 145 262

(photos - Wayne Richmond, 2015 Heritage Ball)

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Friday, 11 March 2016

Kiama Campfire Sessions, 7.30 to 10.00, 3rd Thursday of the month

           To All lovers of Australian Music!
We are pleased to announce The Kiama Campfire Sessions are back
|in a new venue with a new day of the month, time and format.



We are now in the Kiama Scout Hall in Blowhole Point on the Third Thursday of the Month.  We will be starting at 7.30 and continuing till 10pm with a supper break half way through.  The cost is still only $5 and we are now able to include a concessional rate of $3


The format will be changed a little:

Starting with a “blackboard” concert giving everyone an opportunity to present a solo song, tune or poem and depending on the number of performers there may be time for a couple of “rounds”.

Then it will be time to learn a new song and after supper a session with us all singing in the round.
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Tuesday, 8 March 2016

Duke's Place - Australian Songs in Concert & Session with Jason Roweth, Friday 13th May, 2016 + report

Duke's Place - Australian songs in concert & session 
7.30 for 8pm start - evening ends 11.30

‘That’s Not How I Heard It!’ - Jason Roweth 
 
Some joker asked What is truth?, then buggered off… But Jason’s here with some bush poetry and yarns with a song or three thrown in. Lawson, Paterson, Dengate, Kevans, anon & etc… a show from the bush and beyond - with a grateful nod to the early days of the Bush Music Club.

 (Sharyn Mattern photo, 2013)
Jason's skills have been recognised with some prestigious awards, including ABPA Golden Damper Winner 2016, National Folk Festival Reciter of the Year in 2015, and National Folk Festival Yarnspinner of the Year in 2013. 


Bush Music Club
Tritton Hall Hut 44 Addison Road Centre 142 Addison Rd, Marrickville

Map of Addison Road Centre

Door opens 7.30 for 8pm start. Session 10.00-11.30pm
BYO songs
Cost - $10
Bring something to drink & a plate for supper
Enquiries - Sandra 9358 4886

Duke's place, named after our honoured early member Harold 'Duke' Tritton (1886-1965), is the place to go once a month for a great night of Australian songs in concert and session. Duke was a powerful singer who supplied BMC with many songs he had learnt in his younger days while working as a shearer and at other bush jobs. He was also a songwriter and poet giving us songs that have entered the tradition such as Sandy Hollow Line and Shearing in the Bar.

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(Photo © Sandra Nixon)




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Duke's Place - Australian Songs in Concert & Session with Pat Drummond, Friday 8th April, 2016 + Report

Duke's Place - Australian songs in concert & session 
7.30 for 8pm start - evening ends 11.30

Pat Drummond is an Australian Singer/Songwriter. His highly original music crosses the genres of country, folk and rock and roll and his musical career spans four decades. Based at Leura in the Blue Mountains, his style is a cross between songwriting and journalism. His well documented songs about real people and places are drawn from interviews gathered on his erratic tours across Australia and present a composite picture of that country and her people.



The Sao Song was probably the track which first brought Pat Drummond to national prominence. The song, which was catchy enough to make airplay lists all over the country, and thoughtful enough to impress critics of the ilk of Philip Adams and Bruce Elder, was, however, only a small glimpse of this truly remarkable Australian talent.
Perhaps it's this common touch, this sense of what it is to be an Australian which runs through all his work, that makes Pat's songs so accessible. He is, at the same time, a performer with an innate sense of fun and an astonishing capacity to entertain and involve an audience, and a songwriter, whose passionate commitment to this country and its people, has produced songs which are often more like one-act plays, concise and self contained; detailed social snapshots of ordinary Australians caught in the act of living.


Add all of that to lots of irresistible audience participation songs like 40 into 24, and Marilyn Monroe was a size 14 and If I Die Before Keith Richards I'll Be Pissed Off To The Max you have a show that leaves people humming for weeks after it's over. Neither a country or city performer in the traditional sense; Pat Drummond's appeal seems to cross these sorts of petty barriers fairly easily.
Bush Music Club
Tritton Hall
Hut 44 Addison Road Centre
142 Addison Rd, Marrickville 

Map of Addison Road Centre

Door opens 7.30 for 8pm start. Session 10.00-11.30pm
BYO songs
Cost - $10
Bring something to drink & a plate for supper
Enquiries - Sandra 9358 4886

Duke's place, named after our honoured early member Harold 'Duke' Tritton (1886-1965), is the place to go once a month for a great night of Australian songs in concert and session. Duke was a powerful singer who supplied BMC with many songs he had learnt in his younger days while working as a shearer and at other bush jobs. He was also a songwriter and poet giving us songs that have entered the tradition such as Sandy Hollow Line and Shearing in the Bar. 


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(Photos © Sandra Nixon) 









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