Thursday, 25 August 2016

Vale Brian Dunnett - 30th June 1935 - 18th June 2016

Click on pictures for full-screen image






Brian has been associated with the Bush Music Club since the 1950s.


He & Alex Hood were friends from their Eureka Youth League days, and they subsequently did their National Service together, so it was fitting that Alex gave the eulogy at Brian's memorial service.

Photographs from Concert Party's Blue Mountains Railway trip, 2010 organised by Brian.


Launch of BMC's Railway Songs booklet at 2010 National Folk Festival, compiled by Brian Dunnett, using contributions from the Railway Songs Blogspot and other sources, and edited by Ralph Pride, it contains 36 songs with music, in a spiral bound book for easy use by performers

Alex Hood

Memorabilia - album with woven fabric cover from 1959 Budapest World Peace Council conference, Brian's beanie & mandolin, Trains of Treasure CD, BMC's Train Songs booklet



  

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Railway life & song, a video documentary produced by Jillian Bartlett.
Featuring Brian Dunnett, and Mark Gregory this audio documentary focuses on working life at Eveleigh, the role and influence of music, and the cultural contribution of railway songs.


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Vale Brian Dunnett – by Mark Gregory
I first met Brian in the 1960s when I called into 40 Market Street Sydney which was a large terrace house that was the headquarters of the Eureka Youth League and the Communist Party of Australia and had a bookshop on the ground floor. Brian was at the time Secretary of the EYL.

I caught up with Brian again in the 1980s when I was working as a technician at Macquarie University and he was convener of a shop floor committee at the railway workshops in Chullora. He and his committee were involved with the Art in Working Life Project the funding of which came through the Australia Council.

Among other things railway workers became involved in a number of projects, one of which employed a resident poet to encourage workers compose their own verse. The poet was Harry Robertson, a Rolls Royce trained Glaswegian ships engineer whose songs I knew well.

Other initiatives of the Combined Railway Unions Cultural Committee included an exhibition of thirty large illustrated panels reflecting Australian railway history through the eyes of railway workers themselves. These panels were exhibited in a railway carriage that travelled to railway stations across the country. In 1982 a meeting at took place at Chullora with Don Mamouney, Dallas Lewis and Pat Cranney from Sidetrack Theatre and shop stewards from the Loco area.

The idea of a theatre company residence is proposed and agreed to in principle and Sidetrack successfully applied for the funding. In 1987 there was also a lunchtime concert launch at Chullora for the release of a 45rpm recording of two songs composed and performed by railway workers Ray King and Ron Russell.

Brian soon roped me into his project of recording and publishing the railway song and poetry he’d been researching and collecting, the result of which was two cassette tapes – Railway Voices and Trains of Treasure. These were released in 1984 and later reissued as CDs. This project was launched in Sydney by Roger Woodward and Donald Horne. As well as railway workers and their unions these projects involved more than a hundred artists, poets, singers, voices, researchers and radio producers.

Over the next thirty or so years we worked together to gather many more railway songs and poems and making them accessible on internet archives like ‘Australian Railway Songs’ at railwaysongs.blogspot.com where there are now close to 500 lyrical items as well as over 130 articles from over 100 different Australian newspapers. This online blog also contains 18 chapters written by Brian under the title The Australian Railway Story and awaiting editorial hands for future publication, a big part of his dream.

Just as Brian roped me into his projects I was pleased to rope his whole workshop into one of mine. At Macquarie University I was working as technical support with Barbara Dodd on a speech therapy research project titled the ‘Eye-hear’ project which required among other things testing the hearing of workers subjected to working in noisy environments. A railway workshop was a good example and the Chullora workers committee agreed that a large number of free hearing tests would be offered to the workers.

Another project Brian helped me with was to provide the Sydney May Day March with a multicultural broadcast of workers songs from around the world. It was a project that a Sydney waterside worker had suggested to 2SER’s Razors Edge – the wharfie envisaged everyone on the march carrying a portable radios playing the songs as they marched. Instead of that the May Day Committee organised four loud speaker vans that were tuned in to the hour long radio broadcast starting with the old French workers’ anthem The International.

I reckon it was the first radio-controlled May Day in the world! A visiting delegate to the May Day march listened in amazement to the broadcast in the taxi to catch his plane home when he heard a T
agalog version of a song that was recorded in Manila on one of the huge anti Marcos demonstrations. The song was The People United Will Never Be Defeated espousing an attitude Brian embraced to the full.

Brian certainly never stopped working on and thinking about his chosen task of preserving the cultural achievements of Australian railway workers.

In 2005 Brian and UNE academic Andrew Piper prepared Train Whistle Blowing, a booklet of songs and poems as a souvenir for the National Railway Heritage Conference held as part of events associated with the 150th anniversary of the beginning of steam railways in NSW.
In 2009 the Bush Music Club published a collection of thirty songs from Brian’s collection, complete with music notation, under the title Australian Train Songs.

In 2013 Brian and the Illawarra Folk Festival proposed and helped organise more that 400 people took advantage of the Green Music Train as a great musical initiative which is supported by one of the festival's sponsors City Rail.

Brian commented on the significance of his Green Music Train concept:
One of the strengths of our project has been the involvement of Australian Culture bodies like the Australia Council and the National Folk Movement. This has meant that the traditional Railway songs, poems and stories of Australian Railway continue to be performed at folk music and steam festivals.

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Brian's archives have been accepted by Unions NSW.

(photos - Sandra Nixon)
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Tuesday, 2 August 2016

Extracts from Singabout - Recitations - Let's Be Australians

Click on pictures for full-screen image

In Singabout 4(4) 1962 Vera Duncan contributed the following recitation.




Mrs Vera Deacon is listed in our 1958-1966 Mailing List as the contact for the Realist Writers.
She donated her papers relating to the Realist Writers Group to the State Library of NSW & this biography comes from the Library's catalogue entry
Vera Deacon, nee Pember, was born into a working-class family in Mayfield-Waratah, Newcastle, in 1926. She joined the Communist Party of Australia (CPA) in 1944. She married trade unionist and fellow CPA member, Stan Deacon (1906-1993), in 1946. She was a member of the Realist Writers’ Group (Sydney), 1954-1970, was secretary during its formative years, and edited the Realist Writer. In the 1960s Vera Deacon was an honorary board member of the Australasian Book Society. She lived in Sydney from 1948 to 1997 before moving to Stockton.

  
Vera's memories of growing up on the river during the Depression inspired Dorothy Hewett's Weevils in the Flour


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The poem has been published in 2 newspapers that have been digitised, & who know how many others that are not available on line.

A fuller version is found in TROVE - The Southern Mail (Bowral, NSW, 1889-1954),

page header The Mail, Friday August 26th 1938, page 6

Transcription -

I found these verses amongst some literary treasures
stowed away in an old chest The writer is not known
to me--worse luck ! He must have been a good
Australian.

Wild but harmonious, queer, but euphonious —
Such are the place-names that most of us know ;
Dinkum Australian- — not one of them alien,
Easy to yabber, and here's how they go : —
        Bundywalla, Nandialla,
        Yarrawonga, Carathool
        Mullumbimby, Barnawartha,
        Tumbarumba, Moorabool.
        Cootamundra, Nerrigunda,
        Goondiwindi, Parraween,
        Umeralla, Unanderra
        Murrumburrah, Narrabeen.
We think of bush blossoms, goannas and 'possums,
Of gay kookaburras — most joyous of birds !
Of stringy-bark gunyahs and big bunya-bunyas,
And the gum leafy taste as we yabber the words : —
        Biloola, Kirribilli,
        Bulladeela, Bundanoon,
        Warialda, Jindiandy,
        Murrurundi, Kangaloon.
        Parramatta, Collangatta
        Tambaroora, Dandenong,
        Wollondilly, Curruckbilly,
        Wagga-Wagga, Mittagong.
Let us stick to the names that are dinkum Australian,
Remindful of boomerang, nullah and spear;
Let us cut out all others unfitting or alien
For ' budgeree pfellar sit down longa here.'
        Billinudgel, Kookandina,
        Mullumbimby, Wallaroo,
        Milparinka, Uranqumty,
        Murrumbidgee, Jamberoo.
        Yurongilly, Curruckbilly,
        Barrenjoey, Burrangong,
        Tantanoola, Merimboola,
        Grabben-Gullen, Binalong.

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A shorter version comes from https://www.newspapers.com/about/ a US-based online site offering US & world papers. 

An extract from the poem came from
 

  



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Friday, 29 July 2016

36th Colonial Subscription Ball, 6 for 6.30pm, Saturday 27th August 2016 Maitland Town Hall

Final date to buy tickets Saturday 21st August, don't miss out! - details below

Please arrive at the Maitland Town Hall, High St, Maitland from 6 pm - entry via the front door only. Hors d'oeuvres will be served at 6:30 pm and the Grand March will commence at 7 pm. There will be a combined savoury and sweet supper at around 9 pm. Hot and cold drinks will be available for most of the evening with water available throughout.


2015 Ball, (Bob McInnes photo)

The Ball
A Colonial-style Subscription Ball held each year at Maitland Town Hall, a venue boasting one of the best sprung dance floors in the country. The ball is a dancer’s delight with the dance programme selected from diverse styles of dances, including Colonial, Traditional, Celtic, Regency, European and Bush. Preferred dress is formal and in keeping with Australia's Colonial period.


Coalbrook band, 2015 (Mike Young photo)



Recovery Picnic


Held on Sunday, 28th August from 11 am at Marmong Park, George St, Marmong Point, the BBQ/picnic is a time to recover, relax and socialise, with the opportunity for more dancing if desired. The park contains the Marmong Point Community Hall for dancing and shelter from the weather (if required). There is a large grassy area with shade trees and a view of Lake Macquarie.

You can partake of the BBQ lunch provided (pre-booked and prepaid) or BYO.
Please BYO chairs and drinks.
Musicians, bring your instruments.


Recovery picnic, 2014 (Kim Nolan photo)

Practice Sessions

Central Coast
Sunday August 7. 10am-5pm.
East Gosford Progress Hall,
Wells St and Henry Parry Dr. East Gosford.
Contact Arthur or Julia - Ph 4955 5701


Newcastle
Sunday August 14. 10am-5pm.
Masonic Hall, Metcalfe St,
Wallsend (near intersection with Cowper St).
Contact Arthur or Julia - Ph 4955 5701

Sydney
Saturday August 21. 10am-4pm.
Scout Hall,
Park Ave, Concord.
Contact Wendy - Ph 0412 145 262.

All practice sessions cost $8 for the day.
Tea, coffee and cold drinks provided.

** Attendance at Ball Practices is highly recommended as dances will not be
walked through at the Ball.**


There will also be practice nights at the Pennant Hills Dance Workshop.
Tickets for the ball are limited to 120, so please book early. Booking form
The Ball: Early Bird prices up to, and including, Sunday, 14th August 2016:
BMC Members $50 **
Non-BMC Members $55 **
Full-time students - $35 **
Non-dancers - $45 **
**Prices from 15th to 21st August – Add $5 to each ticket price.
For catering purposes all Ball tickets must be pre-booked, payments made and details confirmed via the booking form or via email by 21st August.
BBQ / Picnic (catered) $10
Booking and payments for the BBQ/picnic must be received by 21st August. You can attend this event and fully cater for yourself for free if you wish.
Please pay for both Ball and BBQ / Picnic at the time of your booking. Payments can be made:
  • by cash at any BMC dance or Ball practice/workshop
  • by cheque payable to "Bush Music Club" sent to Bush Music Club Inc., PO Box 433, Sydney NSW 2001 with your booking form
  • by direct deposit to Bush Music Club, BSB 062-005 / Acct: 0090 7524. Please identify yourself by using the booking name as the remitter, and send payment and dancer(s) details via e-mail to Wendy Richmond


Enquiries: Wendy - Ph 0412 145 262 or Email



Further information, including Accommodation & Transport details

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Sunday, 17 July 2016

Dukes Place - 2016



Duke's Place - usually 2nd Fridays, February to December

7.30 for 8pm

Bush Music Club
Tritton Hall
Hut 44, Addison Road Centre
142 Addison Rd, Marrickville 

Map of Addison Road Centre

$10, bring something for supper

enquiries - Sandra 9358 4886


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2016 program

12th February - Miguel Heatwole



(photo Sandra Nixon)
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18th March - Evan Mathieson    (3rd Friday, week before Easter)



(photo Sandra Nixon)
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8th April - Pat Drummond   

 
(photo supplied)
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13th May - Jason Roweth

 

(photo supplied)
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10th June - Jim Low
 

(photo supplied)
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8th July  - Ten Quid Poms (Robin Connaughton & John Warner)
      

(photo supplied)
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19th August - Penny Davis & Roger Ilott   (3rd Friday)

(photo supplied)
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9th September  - Dave Johnson

(photo supplied)
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Saturday 8th October -          (2nd Saturday, not the usual Friday)



Martyn Wyndham-Read
(UK) with BMC member Claire Doherty at the Loaded Dog Folk Club, February 2015 (photo Doherty family)
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11th November  -   Don Brian



(photo Sandra Nixon)
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9th December -  Christina Mimmocchi


(photo supplied)


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Friday, 8 July 2016

Duke's Place - Australian Songs in concert & session with Dave Johnson, Friday 9th September, 2016 + report



Bush Music Club
Tritton Hall
Hut 44, Addison Road Centre
142 Addison Rd, Marrickville
www.bushmusic.org.au




In a rare solo performance at Dukes Place in September, Dave presents a swag of old, and not so old, bush songs and tunes that resonate with the Australian psyche. Many of these will be from his mammoth book of Australian songs, including poems that he has set to tunes and others unearthed in his folkloric studies, and accompanied with guitar, banjo and concertina. Plus, on fiddle and concertina, some wonderful collected dance tunes that he has had some special association with.
Map of Addison Road Centre
Door opens 7.30 for 8pm start. Session 10.00-11.30pm
BYO songs
Cost - $10
Bring something to drink & a plate for supper
Enquiries & bookings - Sandra 9358 4886


Duke's place, named after our honoured early member Harold 'Duke' Tritton (1886-1965), is the place to go once a month for a great night of Australian songs in concert and session. Duke was a powerful singer who supplied BMC with many songs he had learnt in his younger days while working as a shearer and at other bush jobs. He was also a songwriter and poet giving us songs that have entered the tradition such as Sandy Hollow Line and Shearing in the Bar.















(photos © Sandra Nixon)
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Thursday, 7 July 2016

Duke's Place - Australian Songs in Concert & Session with Penny Davies & Roger Ilott, Friday 19th August, 2016 + report




Bush Music Club
Tritton Hall
Hut 44, Addison Road Centre
142 Addison Rd, Marrickvillewww.bushmusic.org.au

Penny Davies and Roger Ilott occupy a unique place in Australian music spanning the great divide between Folk and Country. They have reinvigorated the bush ballad, kept alive the protest song, and have celebrated all that it means to be Australian without a cork hat, lagerphone or phoney accent on the horizon. Penny Davies simply has one of the richest voices in Australian folk and country music; add in the integrity of Roger Ilott's gentle delivery, and you have the best harmonies you're likely to hear. Coupled with Roger Ilott's compelling acoustic guitar and Rickenbacker 12 string artistry, it's little wonder Penny Davies & Roger Ilott, who already have an Australia wide following for their music, are now finding an audience for their songs around the world.
John Broomhall, Trad & Now


 


Restless Music is one of the longest running "little labels" in Australia.
Restless was started by Penny Davies & Roger Ilott back in 1983 in the backyard of a rented cottage in Balmain, NSW. After recording their first two LPs of their own work, Penny & Roger branched out and began recording compilation albums for folk performers in the Sydney area. These small runs of LPs (Workers In The Field - Volume 1 and 2, Under Southern Skies) were done as collective projects with everyone involved putting up money for the pressings and covers, and Penny & Roger doing the recording for free. They then recorded an LP Wilderness - Songs for Conservation and the Environment especially for the Wilderness Society.

Map of Addison Road Centre
Door opens 7.30 for 8pm start. Session 10.00-11.30pm
BYO songs
Cost - $10
Bring something to drink & a plate for supper
Enquiries & bookings - Sandra 9358 4886


Duke's place, named after our honoured early member Harold 'Duke' Tritton (1886-1965), is the place to go once a month for a great night of Australian songs in concert and session. Duke was a powerful singer who supplied BMC with many songs he had learnt in his younger days while working as a shearer and at other bush jobs. He was also a songwriter and poet giving us songs that have entered the tradition such as Sandy Hollow Line and Shearing in the Bar.

 
 photo by John Meredith (BMC archives)

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Photos © Sandra Nixon 






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Wednesday, 6 July 2016

3rd John Dengate Commemorative Concert & Get Together of old friends and family, Sunday 21st August 2016



John at the launch of his third book, 2012.   (Chris Woodland photo)


DATE:             Sunday 21st August, 2016

TIME:             2-5pm

PLACE:          The Friend In Hand Hotel, Cowper Street Glebe, upstairs function room with bar open to cover costs.  Bistro on ground floor,

Limited parking in the street, plentiful parking in nearby Broadway Shopping Centre.

All welcome to contribute verse or song. This year we are having a transport and train theme in memory of Brian Dunnett, who died recently. However, everything political, satirical, and parodies inspired by John’s work will be enjoyed on the afternoon.

Concert organisers:  Leyne & Max Elbourne
Enquiries or to book a spot : email Leyne or call Max on 9591 1915, or see Max when you arrive.



 
 Dengate, Havoc & Power + spoons
2014 Memorial, Gaelic club   (Sandra Nixon photo)


 
 Leyne, Max & Dale Dengate
2015 Memorial, Gaelic club 
(Sandra Nixon photo)

 
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